Showing posts with label LEA. Show all posts
Showing posts with label LEA. Show all posts

Wednesday, August 7, 2019

Update on LEA 2.0


By Marcel Mosswood

The effort to return LEA to its function as a means for artists in SL has shown good development. Linden Lab (LL) has responded to the email sent by Tansee. I interviewed Riannah and Tansee about this effort.

“We are processing the feedback that we have received from everyone," Riannah explained about the work they have done so far, "We have put together in words how the new committee structure should be, regarding how many committee members and tenure. We looked very closely at the notecards we received and what the majority of the people think would be an ideal committee. We do have enough volunteers for the new committee but anyone can still volunteer. We also are looking at implementing a 'watchdog' group to guarantee transparency with the committee.”

Q: About the new committee structure, can you be more detail about that?
“We are looking at having five committee members each with a two-year tenure," Riannah told, "We are working on details of how the committee members will be appointed. We're thinking a voting system so that everyone has a voice.”

Q: The watchdog, who will be in that position? And how they will work?
“We have not discussed that yet. But they will be LEA members," Riannah said, " They will review the committee meetings notes and ensure the accuracy of what took place during the meetings. Such things as decisions made regarding grants and other things that affect everyone at LEA.”

Q: This is a good idea about the watchdog. How you can guarantee the transparency of watchdog performance?
“After the watchdog group has verified the accuracy, the information will be public," Riannah continued, "Anyone can read what transpired. And hopefully, easily understand why decisions were made. The watchdog will consist of more than one person.”

Riannah went on, “The current committee issues stem from not having anyone perform any checks and balances, to make sure the rules regarding the committee are adhered to. Because things like what we are facing now, just should not happen. They could have been avoided. Tansee and I are working very hard to ensure the continuance of LEA... but in the way, it was intended.”

Q: Does the previous LEA committee doesn’t have the watchdog?
“That is the difference," Riannah answered, "Tansee nor I have to be on the committee, that is not the plan. I will be if needed. But always, the priority is LEA itself. We are looking at resumes of potential committee members, and we have a variety of experiences involved. From technical to artist experiences. That will be required for the direction of LEA.”

“We continue to receive a lot of support. And it's very encouraging. We can not express enough how much we appreciate it. One thing we have heard a lot: people feel they are cut out of the process like they don't matter and that the administration of LEA is done in secrecy. That will no longer happen, the favoritism will stop!”

Q: Some people see that the LEA committee is exclusive, not transparent, is this what you want to improve on?
Riannah explained, “Absolutely! We want to provide as much transparency as possible. Everyone matters. Everyone has a voice. Everyone is treated equally and with respect.

Tansee added some explanations, “We are still in the infancy stage of putting all the ideas into place and as we progress it will all become more refined and include everyone's ideas. And I also reconfiguring the placement of 29 sims to include some of the new ideas and suggestions we have gotten from the group. Together WE can make a change!”

Marcel Mosswood

Wednesday, July 24, 2019

LEA 2.0 - An Effort To Save The LEA


By Marcel Mosswood

LEA (Linden Endowment for the Arts) is a place that is the hope of almost all artists in Second Life because LEA can provide a full sim for artists to create freely! However, Linden Lab will close the LEA in August. Some avatars reacted, they decided to act so that the LEA could be returned to Second Life artists. Two resident, Tansee and Riannah Avora started a movement to return LEA for the artists. 

Who are Tansee and Riannah Avora? How did they connect to LEA?

“I joined LEA seven years ago and can contribute my artistic, creative and personal growth as a direct result of my building trials and errors at the sandbox. From that point, I have been fortunate to be awarded both AIR and Core Grants which has enabled me to keep growing and learning. Along with the Grants I have been able to hold several art exhibitions, events, and educational displays. For me the experience has been priceless and continues,” said Tansee.

Different from Tansee, here is what Riannah said, “I came to LEA November 2018, so I have not been here that long. I had never heard of LEA before, as is the case for most people. Someone found me playing with light and shadows in a public sandbox and suggested that I come to LEA. Since I started Second Life, I have loved to build and create things... and I'm not the only one. When I came to LEA, it was like I found my "home" of sorts. I felt accepted. I am fairly shy about my work. I never really wanted it to be so public. However, others at LEA have been very encouraging. Bringing me out of my "shell" so to speak. I just got my first land grant at LEA... and it will be cut short because of the closing. But nonetheless, I will give it all that I have to give.”


Group joiner and notecard dropper at LEA Sandbox (http://maps.secondlife.com/secondlife/LEA5/215/149/21)

Well, we feel sad about the LEA closing, what do you think about this?

“Sad, very sad. It doesn't surprise me because LEA has been going on for so long and I fully understand that people get tired and need a break. Being in Second Life for nearly nine years now, I've seen places come and go. But if something can be done to save it, I'm all for it. Creating things, (objects, scripts, textures, and particles) is very therapeutic. And the atmosphere in LEA is very calming and people can do their work without fear of being ridiculed,” said Rainnah.

“It was not a complete surprise to me when I heard the news, and like so many others I felt a deep loss. In my heart, I knew that I would only have myself to blame if I did not take proactive steps to see that this would not happen. With the help of fellow LEA supporter Riannah Avora, the Group was formed,” according to Tansee.

Tansee Resident

Why do you think that LEA should not be closed?

“LEA plays a huge importance in the development of Virtual Art and creativity in SL as well as provides education on many levels. It provides positive social interactions with other like-minded online individuals. Those new to Second Life can come to see and learn the endless possibilities of creating in a virtual world. Friendships have been formed as well as the sharing of skills,” said Tansee.

And according to Riannah: “It provides a vital area and environment that enables people to express themselves via the things that they create, much like real life. There is no other place like LEA. Period. I know so many people who would love to learn, but they have no idea where to start. There are places to help you learn some of it... but they are not like LEA. No one really judges you here. They just want you to succeed in whatever it is you are creating. It's really a great "family" of sorts. And there's always something different to learn from looking at each other's work. No one can be great at everything that they want to do. But with the help of LEA, you can consult with others, learn, and figure it out. That's what LEA is about.

What are your ideas to persuade LL to turn LEA back for the artists?

For this question, Tansee decided to include her ideas along with all the others who are sending her notecards. “We're not exactly sure what it will take, to be honest. We are gathering ideas from our fellow artists. It's not just us, Tansee and me, in this. And we have gotten a very good response so far from other people in LEA. LEA is alive. LEA provides so many things that help people in so many ways, in Second Life and real life. There are opportunities that, without LEA, most people would never get to enjoy and experience. It's freedom. It's like the chains have been undone by being a part of LEA. And with LEA, there's nothing that we can't do!” said Riannah.

She continued, “The world is going to the 3D, VR, concepts of doing things. It would be an advantage if Second Life could say, "We helped". SL has always been great in showing support for many different causes. Their ability to support other real life organizations is amazing. Like with the Fantasy Faire... that totally rocked! Our cause might not be as obvious as some might think. But the people who make great builds, like at the Fantasy Faire, need and deserve a place to be. Most of us work and play here without any expectations on what we create. And a lot of our own money goes into what we build. Not to mention the time involved. We just need a bit of help with the "place" part. SL is great because of the people in it. And LEA is no exception to that. We create things that make SL better for everyone.”

Riannah Avora

You only have less than two weeks to gather ideas and coordinate with Linden Lab about the return of the LEA, is this enough time for you? How will you work to make it happen?

Tansee answered, “As we know viral can happen in an instant. I hope that anyone who has "positive" input will pass it on to other like-minded LEA supporters. So that we can compile a variety of suggestions. Spread the Word! Join the inworld group to stay informed. URL: secondlife:///app/group/4fec0f5b-ae2d-8cff-3b38-b8763bf2ca68/about

“It will just have to be enough time. We can only do what we can do. And if you don't try, you will never know. We can do a lot of things here, but we have yet to be able to control time. However, you never know when that might happen! There are some really great creators here, never underestimate them,” said Riannah positively.

Many people think that your efforts will be in vain, how do you deal with this?

“That is a great question. I respect and appreciate everyone's point of view and opinion however and I am determined to have a solid focus on taking swift "positive" action. (I can not use that word enough) to the best of my abilities. It is easy to be a critic. My real life background is in business and along with that management and problem-solving. I love the quote by Eldridge Cleaver and have used it many times with others: "You either have to be part of the solution, or you're going to be part of the problem." I invite all critics to share specific suggestions to be a part of the solution,” said Tansee.

“That may be true, having a reason not to do something is easy. But I have never been one to back down from a challenge though. People can say "that can't be done" or "that is too much work"... eh... It's not that I disbelieve them, it's just that I'm a firm believer in "you can do anything you put your mind to.'' To not try at all, is certain failure. To have tried and failed, well, I will take my experience from trying and learn from it. Failure is a part of learning. I'm not afraid of it,” said Riannah.

Has Linden Lab reacted with this plan?

“I don't really know, actually. We are to meet with Patch Linden and Derrick Linden to present our case after they have read over ideas and comments that we collect from our fellow members of LEA. We feel there is a good chance we can reach an agreement. We have to start somewhere, and this is as good of a place as any. We'll go wherever the path takes us. Sometimes just starting somewhere is the answer,” said Riannah.

According to Tansee, “At the present moment, the group was formed to find like-minded positive people who are willing to share specific suggestions. Riannah and I are accepting those in Notecard format and will be credited and presented to Lindens in two weeks. My greatest hope is that they will give us a big thumbs up so that we can move to the next level of Keeping LEA Inworld!”

Do you get help from other avatars to make this happen?

“I have developed a friendship with another avid LEA supporter and Second Life creator Riannah Avora and it was a natural collaboration to work on this as a TEAM effort as we both love LEA and its future. Many who have joined the group and are offering some fantastic input already on many levels. Keep them coming!” said Tansee.

“Yes! We do! There are some truly awesome people in Second Life. Chelo, Rory, Earthling, and Roxy just to name a few people.

This is uncharted territory for us all. Even folks that can't help with the technical inner workings of things are doing a lot to help just by their support and encouragement. But we do need more support! So everyone should contact us that wants to be a part of it.”

“Ending this interview with a bit of philosophy that I live by:

"I'm fearless at times because the only alternative is to be terrified."
~Me (Riannah)

"The great pleasure in life is doing what people say you cannot do." ~Walter Bagehot

"Kindness is more persuasive than force." ~Aesop,” said Riannah closing the interview section.

Marcel Mosswood

Friday, December 7, 2018

The Tarot Garden Offers 22 Days of Winter Gifts


by Klaus Bereznyak

During December, avatars have the opportunity to grab some unique souvenirs of the fascinating Tarot Garden on LEA17 before it closes.

The Tarot Garden on LEA17 is a virtual analog of Niki de Saint Phalle’s sculpture garden in real-life Tuscany, created by SecondHand Tutti. Since its opening back in August 2018 (covered by Newser reporter Gemma Cleanslate), a full program of events has been offered on the sim, from concerts to lectures and competitions.


Finally, starting on the 1st of December, gifts can be collected from each of the 22 sculptures, representing the Major Arcana of the Tarot. Each gift is available for 24 hours, and it is a final opportunity to discover and explore the wonderful details of the garden. It's a hunt, if you will. All the gifts are wrapped and tied up with a bow, and relatively easy to find if you can locate the sculpture. There is also a Christmas gift from Tutti available throughout the event.


A map and visual guide is on display at the landing point but you will need to go on foot to find the location. Even having visited the sim a few times, it has shown me parts I had not noticed before and a little challenge is presented by the fact that some of the sculptures are hidden by others; for instance, the Chariot is inside the Empress.


The gifts are original pieces by Tutti, each having some relation to the archetype they represent. Some are sculptures to rez on your land and others are avatars to wear. In sequence, the gift for each day in December is as follows:

1st    The Fool
2nd    The Magician
3rd    The High Priestess
4th    The Empress
5th    The Emperor
6th    The Hierophant
7th    The Choice
8th    The Chariot
9th    Justice
10th    The Hermit
11th    The Wheel of Fortune
12th    Strength
13th    The Hanged Man
14th    Death
15th    Temperance
16th    The Devil
17th    The Tower
18th    The Star
19th    The Moon
20th    The Sun
21st    Judgement
22nd    The World

I have been delighted with the chance to have some beautiful things to keep so that the memory of this remarkable project can keep on giving.

Surl: http://maps.secondlife.com/secondlife/LEA17/13/244/21

Klaus Bereznyak

Monday, August 13, 2018

The Tarot Garden


By Gemma Cleanslate


The visiting artists are opening their sims at LEA for the season. I took a trip to visit the Tarot Garden installation of Secondhandtutti. What an amazing creation! Working with her team the land has been transformed to echo “  Niki de Saint Phalle’s esoteric sculpture garden based on the Tarot cards, located in Tuscany, Italy. This project started in the late seventies and ended when Niki passed away in 2002. “

 There is a long walk in the region to visit all the figures and structures made in mosaic form. This is very different art, transformative, and lots of fun. If you use or know Tarot this will be of great interest to you . I went to the web to read about the original artist Niki who seems to have had a very tortured life from her earliest childhood years but was very beautiful and very talented.


The Grand Opening of the sim was held on August 11. I missed the opening sorry to say but did get over to talk with tutti at the end. She was thanking Venus Adored for the particle display that brought her to tears with the beauty.


She spoke about her fascination with Niki and her art and her attachment to it all. “As an artist who does original and also transformative art, I found this project to be a walk on the mystical, for you see, I found myself talking to Niki as I made each build. No no not "talking" to her, but communing with her in the sense of, 'Why did you put that there Niki?'   'Why did you use that symbol Niki?'   'What did that mean to you Niki?' Niki said two invaluable things that I have held close to me as an artist.  The first was about her Tarot Garden. She said that it was her 'destiny to make a place where people can come and be happy: a garden of joy.' This motivated me to manifest her garden of joy into our virtual worlds on my own, while acknowledging the source but also putting it into a new dimension. “


 There will be events all month and on into the fall . Join the group to receive notice of events . One can go for a lecture, or a walking guided tour that will be held each Monday at 11:30 am SL time during August. There is a mini hunt going on to find Nomi and take a picture with her. Begin your visit here. http://maps.secondlife.com/secondlife/LEA17/13/244/21 


Gemma Cleanslate

Wednesday, May 30, 2018

The Philosophy of Furniture


By Gemma Cleanslate


I found a gem at the LEA 18 for you to visit. It is called The Philosophy of Furniture, and is based on an essay by Edgar Allen Poe written in 1840. Poe is well known for several of his novels and of course his poems. ‘The Ravens” is one that most people have had contact with around the world in one form or another. Since Poe relied on his writings for income, he did many essays and articles for varied magazines over his too short life. . Evidently Poe was very critical of America’s decor in homes, and possibly the homes themselves.  He wrote with a certain disdain of them. Actually as you go through the entire essay there is criticism of almost every decor in many lands.


When you arrive in the region at the entrance there are posts that will link you to the essay itself and to a analysis of the essay. Or if you would like to listen to it there is an audio for you .A large events board is set up for coming events.As you look around in the distance there are many homes with posters behind them . Now you can teleport to a house and begin your tour there or just start walking.


At the entrance of each house  is an easel that holds a pithy saying about the particular home you are entering and its interior.


Each home is meticulously adorned with furniture of the day mid 1800‘s. It is fun to read the description then view the room. I walked most of the sim entering each home and chuckling at the posters.


I took a walk on the roadways and came across a  penny-farthing bicycle with a large front wheel of the time. Then I took a ride around the sim. It is easy to maneuver so don’t miss that thrill. The ravens fly and caw throughout the sim  listen to their call.


This wonderful exhibit was put together by three Second Life artists, Daark Gothly, Mazie Halpern, and Cienega Soon. The opening was at a ball of the 1800‘s held on May 19th and I am sorry I missed it. It is an amazing installation when one considers the essay on which it is based. It took an abundance of decorations from all over the world that would fit the essay. I applaud all the work here and really enjoyed my visit. Don’t miss it.

 If you are a poet or in one of the poetry groups and would like to bring your poetry to the sim check out the poetry corner information at the entrance too. It seemed to me that Poe was being satirical at times in the essay. But I am not that familiar with many of his essays, so perhaps that is just me.  It might be fun for you to listen to the audio reading of the essay as you explore the homes. 


.Take a look at the stages as you pass by. I believe one is the poetry corner, on the main party stage and the other I am not sure. I will be going back for more visits to check out more .This exhibit will be here until June 29. Daark has been having internet issues, but said to watch the events board at the end of the first week of June for events.  Here you go!  http://maps.secondlife.com/secondlife/LEA18/171/199/22

Gemma Cleanslate

Wednesday, August 23, 2017

A Steamy Mystery at Terradale


By Gemma Cleanslate

 
I always look forward to the opening of new LEA regions granted to the artists for a period of time. It is fun to go through them all. I do not write about each one, but choose the ones that really take my attention and keep it. This interesting region really grabbed my attention. It is not one of the sparkly artistic creations, but contains a story.
 


The tone is set as soon as you land in the sim. It is a town that is reminiscent of the old English coastal, or perhaps, New England towns. It has the appearance of a mill town, with homes and factories intermingled and the ocean with its light house in view of all. When you land you will be greeted.


 
There is an odd piece of pipe equipment looking much like a humanoid type sitting around all over town that contains the story of Sarah.  Be sure to look for him where ever you go. Sarah is missing. I turned from the welcome sign and entered the building across the way. It was an artist studio with workings on the wall incomplete for the most part. I entered the second room where I found a message giver I came to know as Perry Piper. He uttered the words of Sean, “ My Sarah --She was everything to me. My muse, my friend, my partner, my lover. We were one......”

 
I turned and left and went to the town square and began my search. There I found missing posters plastered to the Town Monument. 


There is so much to be seen in each of  the buildings and so much to learn about Sarah’s life as you move through the town.  People who knew her tell the story to you and with each fragment you build a vision of her in your mind. At least I did. I realized that all is not as it seems, and I kept hoping I would find that she had flown the coop and headed to other lands looking for a more interesting life. But that was not to be. To those who knew her Sarah lived a quiet life, enjoying her horse rides and gazing out at the ocean. 


 
Chic Aeon has created this region and the story hidden within it. His houses are decorated with so many fascinating items to inspect. I thoroughly enjoyed each of them.Each home adds a little to the story.  The commercial buildings are littered with interesting pieces too, including some games to try.bring a friend along with you . There are hot air balloons in the air and I hoped to catch a ride. But no. 


 
At the end you will know the whole story of Sarah and where she has gone. I was sorry to find the final answer but thoroughly enjoyed the experience of tracking her movements and learning of her. I am not sure whether we would have liked each other if we did meet.


The Town will be there until January . Put it on your bucket list.  http://maps.secondlife.com/secondlife/LEA12/152/92/21


Gemma Cleanslate

Monday, July 31, 2017

Lichtbringer's 16 Fields and the LEA Photo Contest


By Klaus Bereznyak

The tripartite collective of Lichtbringer (Light-bringer) have been bringing light to the grid through their collaborations since they first got together in 2015. Their latest installation on LEA26 is called 16 Fields, a sim divided four by four into squares, each square hosting a unique offering of original 3D work.


​There's still time to to enter the Linden Endowment for the Arts (LEA) Photo Contest, open for entries until 17 August, and submit your best snap of this breathtaking show. I'm a sucker for a photographic challenge, so I loaded a roll, grabbed some lenses and set my coordinates to LEA26.

The landing point is in a cafe area (one of the 16 fields) with a well-stocked bar and equally well-stocked information points where one can find out about Lichtbringer and some of their other diverse work. Each member of the group, an artist in their own right, contributes unique skills to the collective. They work with handmade meshes, sculpts, prims, particles, lighting and scripts, endlessly experimenting with light. Beyond the cafe area is a surreal plane with tantalising cubic aurorae snaking overhead, snow falling upwards, shapes morphing and changing color. Whether you are a mouselooker or an ALT-zoomer, you need to get out and in among the lights.


​Immersing here is like being in a continuous firework display that you can get up close to without being burned. I was a little overwhelmed at first, but there are only 15 more fields to see after you have had a drink at the bar, or a late breakfast. Three other AVs were lounging near the landing point and, no doubt, camming. I wandered off in the direction of what first aroused my curiosity, a seemingly dark and static piece, beyond all the swirling light, on a corner of the sim. 


A protester stands under a towering sculpture of the word "APOCALYPSE" with arms lifted in an open gesture. Surrounded by death and dryness, the figure seemed hopeless, but I wasn't sure what the message was here. Some of the fields contain sculpted words or recognisable symbols that hint at meanings but leave it open to interpretation. For all the light in play, the dark shapes in some of the fields are fascinating too.


Across the fields, the light, colors and shapes that are visible are constantly changing, so that no two moments will be the same, offering endless opportunities for a unique photo capture. The scale of the works ranges from a quirky assortment of colorful polygons in a sort of 'playground' on the NW corner to epic structures that dwarf any AV and can be flown through. For the best flying experience, I recommend the high, cubic lattice of point lights, filled with a morphing funnel of particles in the middle of the southern edge of the sim.


To participate in the photo competition for a 1000L$ cash prize and a unique, handmade "namehopper", one must submit a picture taken within the installation. Post-processing is allowed but not essential and there's no entry fee, so it seems open and not too fussy. However, make sure you read all the rules on the competition web-page, especially the detail on perms and how to submit. 


Nobody seems to know what a "namehopper" is, answers on a postcard? I was hoping I'd find the answer somewhere on the sim, and I know what I think it might be, but we shall see. 

Friday, April 1, 2016

Light Thoughts 2


By Becky "Sha" Shamen


In the past few months, real life and Second Life events seemed to be taking me away from scheduling, exploring and writing about my SL adventures. To get back to my old schedule, I went through all my favorite tricks for finding new sims to explore. One of these tricks is the World Map, found in the viewer and also at secondlife.com. I remembered that, only a few days earlier, I had been looking at the map and made a mental note to visit a sim that caught my eye. Returning to the area of the map, I learned that the sim is one of the LEA sims.


Based on past experiences at LEA sims, this would have been enough to keep me from going, but my intuition was telling me I would find something good, this time. The problem was, every time I visited a LEA sim, in the past, as an artist/designer, I always found myself asking how much this artist had to pay LL, to get them to promote his excuse for an art project in the Destination Guide. It sounds harsh, but I hold all products up to the same standards. If it requires advertisement, instead of word-of-mouth, I probably won't buy it. On the other hand, the inner voice of my intuition has always given good advice.


Given that the sim in question was near several other "interesting" looking sims, I felt sure I would find a good adventure and promptly headed down to check out several of the sims. Art should communicate the thoughts of the artist. The first sim I visited had me wondering if it's artist was thinking at all, so I flew over to the next sim. That sim showed a bit more thought, but was also under construction. With a lot more work, it could be worth a return visit. From this sim, I could clearly see the next. It was brightly lit and just a short walk, so I strolled over for a look.


This sim is LEA 20 and was host to "Light Thoughts 2", by Mario2 Helstein. Within seconds, I knew this was the place that was calling me. I cannot even begin to describe this project, until I explain that NONE of the pictures, shown here, do it justice, because a major part of the art is moving light and textures, playing on and incorporated into the solid sculptures on the sim.


To any observer, this exhibit of lights and sculptures will be a wonderful adventure. To a seasoned Designer, Artist, Builder, there is an inner beauty that shines for them. This Artist, Mario2 Helstein, is an adept in the sciences of Geometry, architectural strength and chromatics, and even a fair amount of Psychology. I found his sculptures somehow fascinating, but it took a couple of days, looking at the photos, to discover why. Bless his PXL (Pneumatic Xtal Lattice) heart. He builds with triangles. His triangles have holes in the middle.


I will confess, I don't know, exactly what a LEA sim is or how they work. I assume LEA means "Linden Endowed Artist", since they are temporary and have art exhibits on them. What I did discover is, some times they can impress and inspire even a professional artist. The point is, don't take  the Destination Guide or this writer's word for where the fun is. If you hear of an interesting sim, go see it for yourself. Remember, the word YOU has U right in the middle of it.
 
 
LEA20 (126, 129, 21
"Sha"



Friday, March 25, 2016

Funky Junk


By Gemma Cleanslate
Recycling is great. However, have you considered what it might be like if it were overdone? I really had not thought about it until I visited LEA22 When I landed I thought I was in a hobo land, or perhaps a dump. The winding rickety wooden path leads to many areas that are so indicative of what could happen, perhaps in the distant future when all our recyclables take our place in the universe. Wow! As a blogger I saw my replacement! That was scary. Not me as a person or an avatar but as a canned creation.

At the orchard I saw that rolls of toilet paper and books have taken the place of leaves on the trees. I stopped off at the medical center to check out the help in case I fell off the walkway and to be honest I was not thrilled with the help there. I love computers and their capabilities but wonder if they can put on a bandage!
 I worried about the water there which was sucking all the boats into a whirlpool! School was not fun either! The teacher, known as a funkyjunkian did not look as if he, or she, it had any compassion for humans, and the students, well. You will come across other funkyjunkians as you traverse the sites.  
The creative thinking that went into creating this sim was fantastic. The thought into the possibilities of overdoing a good thing is really something to explore in real life and in Second Life.  I wonder how someone could come up with this concept and all the work that went into it. There is so much to see and explore that I cannot do it justice. Just go have fun, but be careful where you walk!
There is an archeological dig going on at “junkpeii” for the former inhabitants of the region. You will see it. Here is the entrance. Have fun!  
Gemma Cleanslate

Monday, November 23, 2015

The LEA 3 Entrance


By Gemma Cleanslate


You know that I visit the LEA sims often to check out the installations in each of the artist regions. Sunday I got a notice that Eupalinos Ugajin installed a bar near the entrance . Knowing his fun loving ways I went over to take a look. Though  looking like a normal drink serving one  it gives some interesting items when you click.  I say go see and collect. The ‘drinks’ are from friends of Eupalinos.  He also dropped some of his other pieces in the area that are interactive so click away. He always has fun items where ever he builds. I had fun opening the gifts and using them. 


I love his artist statement “My work explores the relationship between postmodern discourse and skateboard ethics. With influences as diverse as Kafka and Joni Mitchell, new insights are synthesised from both simple and complex layers. Ever since I was a student I have been fascinated by the traditional understanding of the human condition. What starts out as triumph soon becomes corroded into a carnival of futility, leaving only a sense of unreality and the inevitability of a new reality. As shimmering forms become frozen through diligent and diverse practice, the viewer is left with an insight into the darkness of our world.” Food for thought. 
 
I took a picture of the entrance to the LEA welcome area that shows most of the regions that are complete and  are open for visiting and this is how it looks when you start from the entrance . I enjoy doing that because you can tp right from the posters for each sim by clicking to get the slurl. You can choose your site to visit.
Gemma Cleanslate

Monday, November 16, 2015

The Brooklyn Bridge at LEA25


By Gemma Cleanslate


I think almost everyone in the world may have heard of the Brooklyn Bridge. If not, it is a very famous bridge that connects a Brooklyn, a borough of New York City, to Manhattan. It has a rich and interesting history.  It is always busy with foot traffic, taxis, cars, buses and other forms of transportation. People often try to sell it to an unsuspecting target. 
The Bridge has been beautifully recreated in Second Life, in LEA25. There is a lot going on over there that you should see and experience. It is the collaborative effort of a group of SL  artists and each has inserted their own pieces next to, or on the bridge and in the sky.  At the landing point you will find information cards with all the artists information. Misprint Thursday sent me  the artist’s names : Alpha Auer, Bibbe Oh, Maya Paris, Mikati Slade, Simotron Aquila, and of course Misprint herself. You can find out all about each one and their past art in the notecards.
“The Bridge is a mixed reality project which will happen in two phases.  The first phase of the project includes the installation of virtual art on the virtual Brooklyn Bridge. The second phase of the project includes mixing the images of the virtual view with the real images and views of the Brooklyn Bridge.” is the description of the project as a whole. 
It is all interactive so be sure as you cross the span you touch all that you see. Be careful though! I wondered why I  touched "OohBabyKittyCatYeah" as I dangled high above the span upside down! I will let you read about part 2 yourself.( I have to figure it all out) 

Gemma Cleanslate

Wednesday, August 12, 2015

The Art Farm


By Gemma Cleanslate


When I stopped by the LEA welcome center to see if anything new was going on I found a billboard for the ‘Art Farm.’ The name was intriguing so I hopped over to the region to see what it is. I found the sim divided into four areas with eclectic installations in each. I was happy to run into an artist working on her gallery, Elle Thorkveld. She filled me in on what she was doing and gave me information to help me understand the concept of the region. This is a coop art project involving all the group members of the Vaneeessa Blaylock group, (anyone can join) VB Friends. I would call it a work in progress for sure . It will be evolving and changing all the time for the next 6 weeks.

 There are four “lands” in which to play, they say. 


“MUGA - Medici University Gallery of Art - Exhibits & Classes. There are some galleries there to visit with many lovely pieces of art to view. I spent some time going through them . Director - Myra Wildmist and Jade Ravenheart (Cynn Blackrain)


WARD81 -WARD 81 is the studio space for artists with places to hang out / documentary photo Director - Oona Nostra (msbluerasp)


BABEL INFCALYPSE -Babel is the sandbox for all the artists to use and create. Director- Neeva Torok
 

LOW FIDELITY - Low Fidelity is for machinima and virtual performance art. Director - Newton (Lex Perdide)

Ward81 is a tribute to Mary EllenMark who passed away in the spring. and the artists are invited to live or hang out there and create as they wish. You will find tower in Babel and if you are into machinima, or art performances, you might like this area Low Fidelity. In Muga if you like to teach or learn go there. Stop and try the tai chi while you are roaming... very relaxing. For me, it brought back memories of my early days in Second Life when I went to do it at  Hosoi and Apollo. Sigh. I stood and watched Gwynie Beaumont (Gwynach) work for a while with her sculptures in front of her gallery. 

This creative activity rose out of a past work that I somehow missed. I spent some time talking to another artist that I had met in the past at Burn2, Veyot.  She explained it all to me and told me that it came from the Medici University ,  http://mediciuniversity.co.uk/  . This was new to me also , which appears to be an online university for arts and more. Edie1943 made the proposal to Medici University to use the region for this purpose. I found the proposal on the website and you can read it all there.  It all looks like so much fun and sharing for anyone who joins the group. If I could  build I might be tempted . If you can , why not try it all out and see what LEA provides for creative residents. “Come Play!" they say and mean it !Myra Wildmist was also very helpful in sorting me out with the directors names and checking my backstory. Check it out! 

I took a tour of the whole four areas on my segway to see what is there now. Veyot told me that some artists would be creating items short term during the whole exhibit so I plan to go visit often during the next six weeks to see the changes. http://maps.secondlife.com/secondlife/LEA28/108/119/22  is a starting point near the galleries. a good place to begin your tour.

Gemma Cleanslate 

Edit: we goofed and accidentally titled it "Ant Farm" at first.